press photos for download (300 dpi)

© immagina, Adriano Heitmann
© Planetarium by harpART

REVIEWS

She has got a delicate sense for the God Aeolus who sends for the winds to touch the strings of the harp and for Orpheus who plays for his beloved Eurydike. … We, who are surrounded with sress and disco noise, make a precious experience right at the core of that part of ourselves where our hearts and souls meet a different world. Three thousand years after Orpheus, there are still people who - by plucking the strings of the harp - make us experience such things as shooting stars or the wind in the trees, as if it was the very first time we saw or heard them. (Main-Echo, Christian Gieger)

Her love for music is written in her heart and soul. She is completely at one with her harp. … Rooted in sincere feeling, the core of her music is inspiration itself. Her compositions have a convincing formal structure. The harmonies are tremendously sensitive, at times even modal, and thus, reminiscent of Debussy's impressionist music. (Schwäbische Zeitung, Alois Lohmiller)