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harpistcomposer
In her compositions and improvisations she
finds a balance between structure and spontaneity, form and freedom. She aims
to leave the listener with lasting feelings whilst leaving room for personal
reflections and associations.
underlyingsounds
Christine Högl’s engagement with the harp
is both masterly and virtuosic, leading the listener into a world of delicate sounds and mystery. Her sensual playing is delicate, with a fine clarity and expresses a
magical quality. Christine and the Celtic harp are joint companions in simple elegance.
elegance of
the simple
Christine and
the Celtic harp are joint companions in simple elegance. Her unconventional
style of playing and ability to flexibly integrate voice and movement delights
her audiences.
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fascinationimprovisation
In
improvisations and using different tones, Christine creates musical surprises
which take her listeners beyond the borders of their imaginations, always
different, never the same. Her sincere and heartfelt music is a soul opening gift.
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biography
Christine Högl has played the harp since
childhood. During her training in Munich, the Tyrolean and concert harps
accompanied her musical development in both traditional and classical styles.
Since then, she has been influenced by different cultures and their music,
especially that of the Celts and the Celtic harp. For the past 20 years, her concert activities have been a dialogue and
engagement with literature, theatre & dance, photography and painting, astronomy
and holistic healing.
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trainings
Ragnhild Kopp, concert harp / Munich
Richard-Strauss-Konservatorium / Munich
Prof. Dr. Fritz Hegi, Improvisation / Zurich
Hi-ah Park, Shamanic Healing Arts / Korea
Waliha Cometti, Sufism / Ticino
Albrecht Ostertag, voice / Seeg
Walter Packi, Biokinematik / Freiburg
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